Decorative coverings

In the works Our architects would not lobby what that There were commodity marks, they put them on Service to the customer, deciding concrete Task in view, embodying during a life most camouflage desires of the clients. and nbsp; Experts constantly participate in Seminars spent by manufacturers and Trainings. We know as advantage, and Lacks of paints of the majority Italian And other manufacturers. Meanwhile in ours To the country inability to work with what or Decorative material, frequently 'talks nonsense' Colourful stories about 'steepness' The manufacturer. In the work together with Manufacturers of materials we try To differ from moonlighteres, offering{suggesting} Only the checked up materials and nbsp; For a competitive price.   approach To usual painting a wall with certain Imagination, using nonconventional painting receptions and tools, it is possible To change an interior of a premise

Feature various technique Is that, varying various Color decisions of decorative coverings, It is possible to smooth or, on the contrary, favourably To emphasize insignificant defects Surfaces. Moreover, at occurrence Defects on a covering in process Operation the problem is solved with Minimal financial and time Costs fragmentary cosmetic Repair. From here, the truth, at all Follows, that for drawing decorative Coverings it is possible to neglect careful Preparation of the basis. On the contrary, for Guaranteed and qualitative quot; Coverings it is necessary at a stage of a choice Paints to define what qualities (durability, atmosphere resistance, etc.) it should To possess.

For reception desirable Decorative effect it is possible to apply The following tools and adaptations: Plastic and metal palette-knife most The different size and calibre, synthetic Or natural sea sponge, tampons The different size, plugged the platen, Brush, glove, drop aerocolumns, The tool for reception of effect And others.

The information about necessary It is given technics by the supplier Material. Necessary tools, as Rule, also are got from the supplier.

Effects which it is possible To receive, applying this or thattechnical equipment, Are really boundless. It and an opportunity Creations of the structures simulating natural Stone, old parchment, leather or damp Silk, woven a mat or ; crushed And reproduction of the figures reminding Externally and to the touch structure of a tree, Creation of effect intensive Metal shine, gentle haze or The polar lights, the cloudy sky or Surrealistic pictures, etc. Reproduced figure can be more Or less relief, textural, smooth- From matte up to polished.

Let's consider very briefly only The most widespread technics Creations of various decorative coverings. As manufacturers paint and varnish Production constantly develop all New and new technics suggest Application of new adaptations. One and those The materials put in the different ways, Give different effects. We shall note, that Similar receptions at different manufacturers Refer to differently. Uniform settled Terminology for today not Exists.

A wide variety of patterns Gives a method water-color wash, when the second, fresh Layer of a paint as though ; the ambassador Drawings by means of a brush, sponge, fabrics or Polythene. And depending on The chosen tool turn out Absolutely different patterns. A rag of a fabric It is possible to create the figure reminding fine Ripples on water, palette-knife or a large brush- Pattern as wide strokes, it is possible to achieve Even effect of a jeans fabric. A method water-color wash, giving to walls and a ceiling ; The kind, suits even such bases, as Glass-fiber wall-paper.

Technics of drawing by a tampon (or sponge) . Dissolved or not Dissolved with water (depending on Desirable effect) the structure is rendered by a brush Or the platen in regular intervals on a surface for Once. Then the surface is processed Tampon (or sponge) rotary Movements. After drying it is possible Drawing of the second (and more) colors with the purpose Receptions of effect of polychromy and depth Figure.

Technics of drawing painting Glove. On a wall randomly Some spots of different colors are rendered. For this operation it is used The undiluted paint. With the help of a glove Stain are smeared on a surface for Receptions of non-uniform color with more Dark and light ebbes. Probably also Drawing of a separate layer by the platen and then Use of a glove for creation Graceful figure. Depending on The chosen colors rendered in the beginning of spots, It is possible to receive game more or less Contrast colors.


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Nonconventional painting Receptions and tools allow to change Interior (MEFFERT):
A- technics{Technical equipment} of removal of a material Leather twisted the platen;
B- technics{Technical equipment} relief spackling


Technics{Technical equipment} color knurl - The effect is created by mint of structure Surfaces. A glossy finishing layer It is rolled on matte dried up base Scrappy or figured foam-rubber the platen. In some coverings the layer is rendered The platen, and then the platen and quot;

Stuffing on a cliche . Cliche put to the painted wall and Render figure. It is possible to create various Figures and borders.

Technics of drawing with Divorces . A brush vertical strips On the small worker on the area The surface is rendered colourful structure. Strips of different color alternate. Then Uniformity is given to colors with the help palette-knife. Probably palette-knife drawing ; wet , that allows to reach{achieve} more Soft, dim figure, or ; wet allowing to emphasize impermeability, the modernity of figure.

Technics of drawing paint-pulverizer for reception Drop effect . Using nozzle Various diameters and adjusting pressure Air, it is possible to change effect drop Dispersions with the purpose of reception desirable Result. After drawing and drying Paints of one color it is possible at once To spray other color, receiving thus Special effect polychromy.

Effect of traces of a brush . With The help of the platen or brush on a surface The dense layer undiluted is rendered Paints. Then a brush of the chosen size Are passed on a surface easy Movements for reception on it of traces Brushes. After drying it is possible to put a layer Other color with recurrence of this procedure For reception of effect of polychromy.

Technics of creation of effect Surfaces of a tree . Diluted on 5-10 % The structure is rendered by the platen or a brush for Receptions of a homogeneous surface. Effect quot; it is reached by use On fresh drawing to a layer of a paint The special adaptation. Movements From top to down with simultaneous turns Brushes of a hand give effect cloudy a tree and Knots with divorces.

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